Sunset Blvd. Essay -- essays research papers

The Thematic Intentions ofSunset BoulevardThe movie Sunset Boulevard directed by Billy frenzied and staring the main characters of Norma Desmond, Joe Gillis, and Max Von Mayerling is ideal example of how important film making techniques help depict a movies core nucleotide intentions with vivid clarity. Classic Hollywood is the prototypical thing that comes to mind when hotshot speaks ab step forward this films mode. This signature category combined with the visual ardour of realism and its continuity editing detailed mise-en-scene and all of its characteristics and lastly the use of reoccurring motifs with formalistic qualities make the audience grasp the central theme of good how vicious the actual motion industry can be to the individuals that keep its alive. I hope to convey all of this by dint of a detailed business relationship involving and about specific scenes included in the film and a direct tie-in of how the precise attributes above play such an important role in expressing that theme.The first scene that will be analyzed is that of opening credits and just how exactly this begins to set the stage for the main theme. In the rattling first frame, which also becomes the establishing shot, we come to a high angle shot that is zoomed in close on the words Sunset Blvd painted on a path curb as the image is also flooded with dramatic nondie surviveic music. This becomes very important because the curb is also the gutter. Here, non even ten seconds into the movie, do we get our first glimpse of what the film is about the mise-en-scene here involving a symbolic visual correlation to the central theme an this gutter frame is depicted through this entire establishing shot. Along with this we get more connection through the voice over actually describing, in an almost a sarcastic manner which should not be the case at all, about a murder on this high class, high status block. Its almost as if this is a actualise depiction of the true chaos tied in with how this Hollywood life can and will be to the people involved with it. As the film zooms out to a long shot of Sunset, we see the police brigade come and wiz by through a very quick pan shot. The nigh thing is a cross cut to the actual mansion where more commotion is viewed at an obvious murder scene. Bottom line is that the mise-en-scene involved here does an excellent job setting up the movies thematic intentions.... ... truly thinks is going to be another film. The whole scene in its entireness depicts that once again the dream can be destroyed just as her life has done the same. The final integration of this motif comes in the very last frame as the movie fades out only this is not a normal fade out. Instead Wilder chooses to blur the fade into an eerie white, which gives us a sense that the dream is now finally over.In conclusion I hoped to have demonstrated just how the all the specific film making techniques used throughout the film help to define the central th eme as it is intertwined with the action. As I have conveyed, realism is just one of the very important aspects that help the production of this film come to the close of its solid final cut. I think that this being the ultimate visual style of the picture it is what made this movie so great. It got the point across and it definitely had an influence on the way films were shot after it. In a way, it becomes smorgasbord of ironic. A film created in Hollywood that molds a horrid model of how messed up its own surroundings can be, actually end up constitution the industry it finds itself in. That in my opinion is, in itself, supreme filmmaking.